There is nothing not funny about this whole thing. It’s amazing. The world has been pulled inside-out through its own asshole.


 

The Backlash to Simu Liu’s Casting in ‘Barbie,’ Explained

This week, we’ve been treated to (arguably bombarded by) images of the utterly stacked cast of Barbie, starring Margot Robbie, Ryan Gosling, Dua Lipa, Issa Rae, and pretty much everyone else you’ve seen on the big or small screen before—including Marvel star Simu Liu. And as some have celebrated Liu’s inclusion in the movie as a triumph for Asian representation in the film, it’s also been met with a fair amount of eye-rolls from others.

Every now and then, the question of what, exactly, the internet’s conflict with Liu is arises, and with three months to go before Barbie releases in July, I have some time today. In the fall of 2021, around the same time Marvel released Shang-Chi and the Legend of the 10 Rings, old Reddit posts by Liu resurfaced, appearing to show the actor frequenting mens’ rights activist circles and regurgitating homophobic, pseudo-science conspiracy theories likening LGBTQ identity with pedophilia.

This is a HUGE leap forward for Asian males. You’re nearly reviled as the average White guy! Welcome, brothers! When they are bitching about posts you might have made in 2015, you’re living The American Dream.

Also, I’m pretty sure the Barbie movie will give you dark thoughts of self-harm, so I suggest not watching it.


 

I LOVE YOU, SQUIRM BACON!


 

‘Dungeons & Dragons’ To Remove Half-Species From Player’s Handbook, Claims The Entire Idea Is “Inherently Racist”

In their latest step forward on their long march to lost profits, Wizards of the Coast has revealed that they will be removing the concept of ‘Half-‘ species from the Dungeons & Dragons Player’s Handbook on the grounds that they are “not comfortable” including an “inherently racist” concept in the game.

This forthcoming update was first announced publicly at the recent D&D Creator Summit, an event wherein Wizards of the Coast gathered a number of notable personalities ranging from game developers to content creators and provided them with a sneak peek at Dungeons & Dragons’ upcoming releases.

Following a rocky start to the Summit marred with various technical difficulty issues, the publisher eventually hosted a demo of their upcoming D&D Virtual Tabletop​, after which D&D lead rules designer Jeremy Crawford, senior story designer Chris Perkins, and studio art director Josh Herman appeared for a Q&A session with the attendees.

Eventually, the post-demo Q&A turned to the topic of WotC’s ongoing efforts to sanitize D&D, beginning with a question about how exactly the publisher makes use of their sensitivity readers.

“We don’t send everything to the same people all the time,” Crawford explained of their content review process (per a summary of the event posted to the EN World forum by user brimmels and a recap provided by content creator Daniel Kwan). “Different reviewers have different areas of expertise and experience. Everything gets sent to at least 2 people, sometimes more. The old inclusion review process had holes in it because they would only send out what they thought would be a problem. Now EVERYTHING is sent out so we aren’t guessing what might be a problem.”

“Our team are game designers and storytellers, we’re not experts in culture and inclusion,” he added. “So we’re focused on what damage should this creature do. That’s why everything goes through inclusion review now so everything in our game brings out delight. Even reprints are going through inclusion review. That’s why some older books are changing, too.”

Further elaborating on WotC’s process, the designer detailed, “We get a full report. We then address the issues identified. We have a conversation. Then it goes back to the reviewers so they can see what we did and comment as to whether it addressed the issue. We also now send the art, even the sketches, through the review process. Jeremy thinks of it as ‘inclusion collaboration’ because it’s a conversation going on.”

If you employ sensitivity readers, you are already lost. OSR or nuthin’!


 

 

 

“Peace Frog”
The Doors
Morrison Hotel (1970)

There’s blood in the streets, it’s up to my ankles (she came)Blood in the streets, it’s up to my knee (she came)Blood in the streets, the town of Chicago (she came)Blood on the rise, it’s following meThink about the break of day

She came and then she drove awaySunlight in her hair

Blood in the streets turn a river of sadness (she came)Blood in the streets, it’s up to my thigh (she came)Yeah, the river runs red down the legs of a city (she came)The women are cryin’ and rivers are weepin’ (she came)

She came in town and then she drove awaySunlight in her hair

Indians scattered on dawn’s highway bleedin’Ghosts crowd the young child’s fragile eggshell mind

Blood in the streets in the town of New HavenBlood stains the roofs and the palm trees of VeniceBlood in my love in the terrible summerBloody red sun of fantastic L.A.

Blood screams her brain as they chop off her fingersBlood will be borne in the birth of a nationBlood is the rose of mysterious union

There’s blood in the streets, it’s up to my anklesBlood in the streets, it’s up to my kneeBlood in the streets, the town of ChicagoBlood on the rise, it’s following me